Never Let Me Go

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Highlights

  • Paintings, drawings, pottery; all sorts of “sculptures” made from whatever was the craze of the day—bashed-up cans, maybe, or bottle tops stuck onto cardboard. For each thing you put in, you were paid in Exchange Tokens—the guardians decided how many your particular masterpiece merited—and then on the day of the Exchange you went along with your tokens and “bought” the stuff you liked. (Location 212)
  • A lot of the time, how you were regarded at Hailsham, how much you were liked and respected, had to do with how good you were at “creating.” (Location 221)
  • What she said was that if I didn’t want to be creative, if I really didn’t feel like it, that was perfectly all right. Nothing wrong with it, (Location 332)
  • Thinking back now, I can see we were just at that age when we knew a few things about ourselves—about who we were, how we were different from our guardians, from the people outside—but hadn’t yet understood what any of it meant. (Location 521)
  • that there are people out there, like Madame, who don’t hate you or wish you any harm, but who nevertheless shudder at the very thought of you—of how you were brought into this world and why—and who dread the idea of your hand brushing against theirs. The first time you glimpse yourself through the eyes of a person like that, it’s a cold moment. It’s like walking past a mirror you’ve walked past every day of your life, and suddenly it shows you something else, something troubling and strange. (Location 529)
  • Still, I hated it when Ruth hinted in this way. I was never sure, of course, if she was telling the truth, but since she wasn’t actually “telling” it, only hinting, it was never possible to challenge her. (Location 830)
  • Provided I was right about the pencil case coming from a Sale, all I had to do was bluff. (Location 855)
  • “when we lost something precious, and we’d looked and looked and still couldn’t find it, then we didn’t have to be completely heartbroken. We still had that last bit of comfort, thinking one day, when we were grown up, and we were free to travel around the country, we could always go and find it again in Norfolk.” (Location 962)
  • So why had we stayed silent that day? I suppose it was because even at that age—we were nine or ten—we knew just enough to make us wary of that whole territory. (Location 1001)
  • I suppose it had something to do with it being a secret, just how much it had meant to me. Maybe all of us at Hailsham had little secrets like that—little private nooks created out of thin air where we could go off alone with our fears and longings. But the very fact that we had such needs would have felt wrong to us at the time—like somehow we were letting the side down. (Location 1075)
  • The problem, as I see it, is that you’ve been told and not told. You’ve been told, but none of you really understand, (Location 1168)
  • Your lives are set out for you. You’ll become adults, then before you’re old, before you’re even middle-aged, you’ll start to donate your vital organs. That’s what each of you was created to do. (Location 1171)
  • Because somewhere underneath, a part of us stayed like that: fearful of the world around us, and—no matter how much we despised ourselves for it—unable quite to let each other go. (Location 1698)
  • And it started to dawn on me, I suppose, that a lot of things I’d always assumed I’d plenty of time to get round to doing, I might now have to act on pretty soon or else let them go forever. (Location 3032)
  • So that feeling came again, even though I tried to keep it out: that we were doing all of this too late; that there’d once been a time for it, but we’d let that go by, and there was something ridiculous, reprehensible even, about the way we were now thinking and planning. (Location 3465)
  • We took away your art because we thought it would reveal your souls. Or to put it more finely, we did it to prove you had souls at all.” (Location 3738)
  • You built your lives on what we gave you. You wouldn’t be who you are today if we’d not protected you. You wouldn’t have become absorbed in your lessons, you wouldn’t have lost yourselves in your art and your writing. Why should you have done, knowing what lay in store for each of you? (Location 3858)
  • When I watched you dancing that day, I saw something else. I saw a new world coming rapidly. More scientific, efficient, yes. More cures for the old sicknesses. Very good. But a harsh, cruel world. And I saw a little girl, her eyes tightly closed, holding to her breast the old kind world, one that she knew in her heart could not remain, and she was holding it and pleading, never to let her go. That is what I saw. It wasn’t really you, what you were doing, I know that. But I saw you and it broke my heart. And I’ve never forgotten.” (Location 3918)
  • “I keep thinking about this river somewhere, with the water moving really fast. And these two people in the water, trying to hold onto each other, holding on as hard as they can, but in the end it’s just too much. The current’s too strong. They’ve got to let go, drift apart. That’s how I think it is with us. It’s a shame, Kath, because we’ve loved each other all our lives. But in the end, we can’t stay together forever.” (Location 4075)

title: Never Let Me Go author: Kazuo Ishiguro url: date: 2022-02-15 source: kindle tags: media/books

Never Let Me Go

rw-book-cover

Metadata

Highlights

  • Paintings, drawings, pottery; all sorts of “sculptures” made from whatever was the craze of the day—bashed-up cans, maybe, or bottle tops stuck onto cardboard. For each thing you put in, you were paid in Exchange Tokens—the guardians decided how many your particular masterpiece merited—and then on the day of the Exchange you went along with your tokens and “bought” the stuff you liked. (Location 212)
  • A lot of the time, how you were regarded at Hailsham, how much you were liked and respected, had to do with how good you were at “creating.” (Location 221)
  • What she said was that if I didn’t want to be creative, if I really didn’t feel like it, that was perfectly all right. Nothing wrong with it, (Location 332)
  • Thinking back now, I can see we were just at that age when we knew a few things about ourselves—about who we were, how we were different from our guardians, from the people outside—but hadn’t yet understood what any of it meant. (Location 521)
  • that there are people out there, like Madame, who don’t hate you or wish you any harm, but who nevertheless shudder at the very thought of you—of how you were brought into this world and why—and who dread the idea of your hand brushing against theirs. The first time you glimpse yourself through the eyes of a person like that, it’s a cold moment. It’s like walking past a mirror you’ve walked past every day of your life, and suddenly it shows you something else, something troubling and strange. (Location 529)
  • Still, I hated it when Ruth hinted in this way. I was never sure, of course, if she was telling the truth, but since she wasn’t actually “telling” it, only hinting, it was never possible to challenge her. (Location 830)
  • Provided I was right about the pencil case coming from a Sale, all I had to do was bluff. (Location 855)
  • “when we lost something precious, and we’d looked and looked and still couldn’t find it, then we didn’t have to be completely heartbroken. We still had that last bit of comfort, thinking one day, when we were grown up, and we were free to travel around the country, we could always go and find it again in Norfolk.” (Location 962)
  • So why had we stayed silent that day? I suppose it was because even at that age—we were nine or ten—we knew just enough to make us wary of that whole territory. (Location 1001)
  • I suppose it had something to do with it being a secret, just how much it had meant to me. Maybe all of us at Hailsham had little secrets like that—little private nooks created out of thin air where we could go off alone with our fears and longings. But the very fact that we had such needs would have felt wrong to us at the time—like somehow we were letting the side down. (Location 1075)
  • The problem, as I see it, is that you’ve been told and not told. You’ve been told, but none of you really understand, (Location 1168)
  • Your lives are set out for you. You’ll become adults, then before you’re old, before you’re even middle-aged, you’ll start to donate your vital organs. That’s what each of you was created to do. (Location 1171)
  • Because somewhere underneath, a part of us stayed like that: fearful of the world around us, and—no matter how much we despised ourselves for it—unable quite to let each other go. (Location 1698)
  • And it started to dawn on me, I suppose, that a lot of things I’d always assumed I’d plenty of time to get round to doing, I might now have to act on pretty soon or else let them go forever. (Location 3032)
  • So that feeling came again, even though I tried to keep it out: that we were doing all of this too late; that there’d once been a time for it, but we’d let that go by, and there was something ridiculous, reprehensible even, about the way we were now thinking and planning. (Location 3465)
  • We took away your art because we thought it would reveal your souls. Or to put it more finely, we did it to prove you had souls at all.” (Location 3738)
  • You built your lives on what we gave you. You wouldn’t be who you are today if we’d not protected you. You wouldn’t have become absorbed in your lessons, you wouldn’t have lost yourselves in your art and your writing. Why should you have done, knowing what lay in store for each of you? (Location 3858)
  • When I watched you dancing that day, I saw something else. I saw a new world coming rapidly. More scientific, efficient, yes. More cures for the old sicknesses. Very good. But a harsh, cruel world. And I saw a little girl, her eyes tightly closed, holding to her breast the old kind world, one that she knew in her heart could not remain, and she was holding it and pleading, never to let her go. That is what I saw. It wasn’t really you, what you were doing, I know that. But I saw you and it broke my heart. And I’ve never forgotten.” (Location 3918)
  • “I keep thinking about this river somewhere, with the water moving really fast. And these two people in the water, trying to hold onto each other, holding on as hard as they can, but in the end it’s just too much. The current’s too strong. They’ve got to let go, drift apart. That’s how I think it is with us. It’s a shame, Kath, because we’ve loved each other all our lives. But in the end, we can’t stay together forever.” (Location 4075)

title: “Never Let Me Go” author: “Kazuo Ishiguro” url: "" date: 2023-12-19 source: kindle tags: media/books

Never Let Me Go

rw-book-cover

Metadata

Highlights

  • Paintings, drawings, pottery; all sorts of “sculptures” made from whatever was the craze of the day—bashed-up cans, maybe, or bottle tops stuck onto cardboard. For each thing you put in, you were paid in Exchange Tokens—the guardians decided how many your particular masterpiece merited—and then on the day of the Exchange you went along with your tokens and “bought” the stuff you liked. (Location 212)
  • A lot of the time, how you were regarded at Hailsham, how much you were liked and respected, had to do with how good you were at “creating.” (Location 221)
  • What she said was that if I didn’t want to be creative, if I really didn’t feel like it, that was perfectly all right. Nothing wrong with it, (Location 332)
  • Thinking back now, I can see we were just at that age when we knew a few things about ourselves—about who we were, how we were different from our guardians, from the people outside—but hadn’t yet understood what any of it meant. (Location 521)
  • that there are people out there, like Madame, who don’t hate you or wish you any harm, but who nevertheless shudder at the very thought of you—of how you were brought into this world and why—and who dread the idea of your hand brushing against theirs. The first time you glimpse yourself through the eyes of a person like that, it’s a cold moment. It’s like walking past a mirror you’ve walked past every day of your life, and suddenly it shows you something else, something troubling and strange. (Location 529)
  • Still, I hated it when Ruth hinted in this way. I was never sure, of course, if she was telling the truth, but since she wasn’t actually “telling” it, only hinting, it was never possible to challenge her. (Location 830)
  • Provided I was right about the pencil case coming from a Sale, all I had to do was bluff. (Location 855)
  • “when we lost something precious, and we’d looked and looked and still couldn’t find it, then we didn’t have to be completely heartbroken. We still had that last bit of comfort, thinking one day, when we were grown up, and we were free to travel around the country, we could always go and find it again in Norfolk.” (Location 962)
  • So why had we stayed silent that day? I suppose it was because even at that age—we were nine or ten—we knew just enough to make us wary of that whole territory. (Location 1001)
  • I suppose it had something to do with it being a secret, just how much it had meant to me. Maybe all of us at Hailsham had little secrets like that—little private nooks created out of thin air where we could go off alone with our fears and longings. But the very fact that we had such needs would have felt wrong to us at the time—like somehow we were letting the side down. (Location 1075)
  • The problem, as I see it, is that you’ve been told and not told. You’ve been told, but none of you really understand, (Location 1168)
  • Your lives are set out for you. You’ll become adults, then before you’re old, before you’re even middle-aged, you’ll start to donate your vital organs. That’s what each of you was created to do. (Location 1171)
  • Because somewhere underneath, a part of us stayed like that: fearful of the world around us, and—no matter how much we despised ourselves for it—unable quite to let each other go. (Location 1698)
  • And it started to dawn on me, I suppose, that a lot of things I’d always assumed I’d plenty of time to get round to doing, I might now have to act on pretty soon or else let them go forever. (Location 3032)
  • So that feeling came again, even though I tried to keep it out: that we were doing all of this too late; that there’d once been a time for it, but we’d let that go by, and there was something ridiculous, reprehensible even, about the way we were now thinking and planning. (Location 3465)
  • We took away your art because we thought it would reveal your souls. Or to put it more finely, we did it to prove you had souls at all.” (Location 3738)
  • You built your lives on what we gave you. You wouldn’t be who you are today if we’d not protected you. You wouldn’t have become absorbed in your lessons, you wouldn’t have lost yourselves in your art and your writing. Why should you have done, knowing what lay in store for each of you? (Location 3858)
  • When I watched you dancing that day, I saw something else. I saw a new world coming rapidly. More scientific, efficient, yes. More cures for the old sicknesses. Very good. But a harsh, cruel world. And I saw a little girl, her eyes tightly closed, holding to her breast the old kind world, one that she knew in her heart could not remain, and she was holding it and pleading, never to let her go. That is what I saw. It wasn’t really you, what you were doing, I know that. But I saw you and it broke my heart. And I’ve never forgotten.” (Location 3918)
  • “I keep thinking about this river somewhere, with the water moving really fast. And these two people in the water, trying to hold onto each other, holding on as hard as they can, but in the end it’s just too much. The current’s too strong. They’ve got to let go, drift apart. That’s how I think it is with us. It’s a shame, Kath, because we’ve loved each other all our lives. But in the end, we can’t stay together forever.” (Location 4075)