Notes on Zuihitsu

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Highlights

  • I love the zuihitsu because it feels alive. It floats, twists, and wiggles like unhemmed fabric on a line, an expression uninterested in perfection. The zuihitsu doesn’t ask “what’s good?” or “what’s bad?” but simply “what is?”. And usually the answer to “what is?” is fresh, surprising, and sensitive to the texture of one’s life. Starting a zuihistu feels the same as improvisatory dancing. One is moved by a musical impulse, but in this case the music lives in the sparkling details of daily observations and internal musings. A writer tracks onto the page a texture, a movement with language skimmed off the immediate surface of daily living. (View Highlight)