An Interview With Dave Hickey - Believer Magazine

Metadata
Highlights
- The problems arise when we try to domesticate the practice, to pretend that it’s a normal human activity and that “everybody’s creative.” They’re not. Honestly, I never sit down to write anything without thinking, This is a weird thing to be doing! Why am I sitting here writing? Why am I looking at the Ellsworth Kelly on my wall? I don’t know. It feels funny to do these things, but it feels funnier not to, so I write and look.
- DH: Well, let me put it like this. I think that if you don’t like it and it’s not easy, you shouldn’t be doing it. You know what I mean?
SH: If it’s not easy you shouldn’t be doing it?
DH: I mean it’s work, but it’s not labor. You have professional obligations like any adult, but it’s fun to solve problems. It’s fun to sit there by yourself with no one telling you what to do. It’s fun to nuance things that no one will notice except in their lizard brains. I enjoy doing it, and it’s easy for me, but there are a lot of people out there who are working too hard at it.
- DH: Right, you were happy to be there, and if the art world today shrunk down to the size and scale of the jazz world, I would be happier now. Things would be freer and a lot less tedious.
SH: I suppose the schools have something to do with the change—the craziness that you have to get an MFA to be an artist.
DH: Thirty-five thousand MFAs a semester, 90 percent of whom never make another work of art.
- And I think that most artists and writers—most of the ones that I know—are o-kay. They like to go into their studios, they like to see their friends, they like to chase girls or boys or whatever they chase. They were OK when they were a nobody, and now they’re OK when they’re somebody.
- With the artists, I don’t teach, I coach. I can’t tell them how to make art. I tell them to make more art. I tell them to get up early and stay up late. I tell them not to quit. I tell them if somebody else is already making their work. My job is to be current with the discourse and not be an asshole. That’s all I wanted in a professor.
title: “An Interview With Dave Hickey - Believer Magazine”
author: “culture.org”
url: ”https://culture.org/an-interview-with-dave-hickey/”
date: 2023-12-19
source: hypothesis
tags: media/articles
An Interview With Dave Hickey - Believer Magazine

Metadata
Highlights
- The problems arise when we try to domesticate the practice, to pretend that it’s a normal human activity and that “everybody’s creative.” They’re not. Honestly, I never sit down to write anything without thinking, This is a weird thing to be doing! Why am I sitting here writing? Why am I looking at the Ellsworth Kelly on my wall? I don’t know. It feels funny to do these things, but it feels funnier not to, so I write and look.
- DH: Well, let me put it like this. I think that if you don’t like it and it’s not easy, you shouldn’t be doing it. You know what I mean?
SH: If it’s not easy you shouldn’t be doing it?
DH: I mean it’s work, but it’s not labor. You have professional obligations like any adult, but it’s fun to solve problems. It’s fun to sit there by yourself with no one telling you what to do. It’s fun to nuance things that no one will notice except in their lizard brains. I enjoy doing it, and it’s easy for me, but there are a lot of people out there who are working too hard at it.
- DH: Right, you were happy to be there, and if the art world today shrunk down to the size and scale of the jazz world, I would be happier now. Things would be freer and a lot less tedious.
SH: I suppose the schools have something to do with the change—the craziness that you have to get an MFA to be an artist.
DH: Thirty-five thousand MFAs a semester, 90 percent of whom never make another work of art.
- And I think that most artists and writers—most of the ones that I know—are o-kay. They like to go into their studios, they like to see their friends, they like to chase girls or boys or whatever they chase. They were OK when they were a nobody, and now they’re OK when they’re somebody.
- With the artists, I don’t teach, I coach. I can’t tell them how to make art. I tell them to make more art. I tell them to get up early and stay up late. I tell them not to quit. I tell them if somebody else is already making their work. My job is to be current with the discourse and not be an asshole. That’s all I wanted in a professor.